Frank Miller. Frank Miller, along with Alan Moore and others, are responsible for comics as they are today. How so you may be asking? Well, people like Mr. Miller are responsible for taking comics from the adolescent adventure stories that Stan Lee and others created to the hardened adventures that adults could enjoy and love without looking creepy doing it.
This story is about Matt Murdock investigating who was responsible for selling a little girl the drug angel dust. The girl thought snakes were attacking her and decided she would rather jump out of a window than deal with them. During his investigation his crosses paths with The Punisher who tries to enlist his help in taking down criminals in Frank Castle’s very special, tender way.
Much like the tv show that Marvel produced for Netflix, the great thing about Daredevil in this particular story at least is the fact that the story is based in a realism you don’t really get in other comics. Daredevil is like Batman in a lot of ways in how he cares for his city of Hell’s Kitchen and does what he can to clean up the place from the top criminals down to the lowliest scum that he crosses paths with. Matt Murdock is someone you could imagine could actually exist whereas someone like Iron Man or Captain America, while great heroes and characters you love to read about, come across as more idealized versions of what someone imagines a hero could be.
I like the fact that the story deals in a somewhat realistic was the issue of drug abuse. The fact that a comic that came out in 1982 was dealing with such a heavy issue is pretty amazing in and of itself. The fact that it didn’t come across like a very special episode of a 1980’s sitcom is even more amazing. Back in the 80’s, the entertainment industry was a little ham handed to say the least in how they presented drugs and drug abuse. For the most part they were unrealistic in how they presented it giving people the impression that the issue of drug abuse was much more of a black and white issue than it is in real life. In real life good people take drugs not necessarily to escape life because they have such horrible lives. They try it for fun and get hooked without realizing it. While this issue was a little on the formulaic side I think it was as realistic as 1982 comics could be in regards to this topic.
The art work was pretty good. It was simply designed, showcasing the shadows and the darkness of the streets the blind hero is trying to change. When the little girl’s brother is caught on the roof with a gun in his hands the expression on his face is priceless. You feel the kids pain. You see he feels horrible his sister died at the result of remorseless drug dealers and while it is later revealed that he did not kill the drug dealer, you see that he is not quite sad the guy is dead. While there could have been more depth to the scenery when the art required the scene to be emotional it brought its A game.
The cover for this comic is quite famous and rightfully so. It says a lot about the two characters that words would fail to express. But one thing the story did not do was give us the real Frank Castle. While The Punisher was fighting people who know are bad guys, not once is he ever shown to be the sympathetic character he is. The Punisher sympathetic you may ask?
Yes. The main pull about why we care about The Punisher is the WHY of his crusade against crime. If we are not given the why than Frank Castle is just as much a thug as the people he kills. No doubt about it the people that The Punisher kill are bad people and deserved death a long time ago. This is not about trying to feel sorry for people that have intentionally made bad choices in their lives. But we need to care about Frank and the fact that due to his family’s death he’s making the wrong choice for the right reasons. Yet this comic does nothing more than portray Frank Castle as just as much a thug as the drug dealers in the story. It would have been nice to have Matt dig a little deeper into The Punisher’s history and discover what happened with his family. While the two would still be at odds we would at least see that Daredevil understands the motivation for what makes Frank Castle tick despite the fact that what he does sickens him.
The story also suffered from the fact that it didn’t feel self contained. A number of things happened that had no relevance to the main story of this issue, the main issue being Matt Murdock proposing marriage to Heather Glenn at the end of the issue. It’s great and all that Matt has found love but this came out of nowhere especially for someone like me who picked up the story at this particular issue. While I should feel impelled to want to know more of what is going on to the point that I investigate the back issues to read more about what is going on, the story itself should have been much more self contained than it was.
I also didn’t like the fact that what started as a story about the dangers of drugs quickly turned to murder. Granted, this was 1982. I can imagine this story would have come across much different if it were made today. It just made the story seem silly and trite when you barely talk about a twelve year old girl who girls herself while high on angel dust but you have no problem deal with page after page of the consequences of her brother who is not much older than her having to deal with being accused of murder. This country of ours, America. We can show people getting killed and maimed left and right but when it comes to dealing with serious issues like drug abuse and heaven forbid sex and boobies, we must cover our eyes and ears while yelling LALALALALA as loud as we can. We have certainly evolved enough over the years in that I think we can now deal with issues like drug abuse and what not but we’re still quite prudish and ignorant on other issues. I won’t blame the comic for failing to get into more detail about the drug use because frankly that is our society here in America even today. We ignore shit like this until it affects pretty young white girls than it’s a BIG FUCKING DEAL that we must deal with yesterday.
The one complaint I have about the artwork is that it is too minimalist for my tastes. Now being that this is a Frank Miller story, the guy who in Sin City had quite the time with black and white drawings, I should have expected it. While it does have its moments of brilliance, there are times where I wanted more, especially in the external location shots. It comes across like the play Our Town were filmed as an action movie. Too much is going on in such stark empty locations. It was distracting more than it elevated the story.
The cover is brilliant. This is like album covers from bands you may never have any interest in listening to but still put out amazing album covers. The violence implied in this cover is great but it really isn’t addressed in the story. The story itself is all right but it’s lacking in the sense that the story is not self contained in any way, shape, or form. I guess that’s how Frank Miller wanted to present the story but I did find myself lost in regards to what was going on. Too much was going on that required you to know enough back story to really appreciate the story. If you didn’t read the previous issues than you really can’t appreciate what this story was trying to do. For that I have to give the story a 4.
The art work could have been better. Being that it was 1982, we’re dealing with a young Frank Miller here. He hadn’t found his style yet, the style that exploded in your face with The Dark Knight Returns and Sin City. While there are moments of brilliance in this issue the art does more to detract from your enjoyment than anything else. I have to give it a 3.
Again, another harsh review. Don’t let that keep you from reading this comic. It’s great to see how great artists evolve. This is a great example of early Frank Miller work. The worst of Frank Miller is better than a lot of great work that is out today.